Critics
»Friend 'n Fellow
Live A Ruf Records lançou até hoje três álbuns
de originais de Friend n Fellow - é mais que tempo para um
CD ao vivo!
Toda a gente que já teve o prazer de ver o duo em concerto ficou
impressionado por uma actuação perfeita. A voz mágica
de Constanze Friend e os grooves ricos da guitarra de Thomas Fellow estão
agora disponíveis em disco nesta edição dupla.
Os temas foram gravados em Weimar, na Alemanha, em Maio de 2003. Nesse
concerto, os Friend n Fellow olharam para os últimos anos
da sua carreira e tocaram as suas melhores canções.
Descrevem-se como soul acústico, mas são na
realidade uma mistura de diversos estilos musicais. Luther Allison, que
foi o mentor e amigo da banda, chamou-lhes o som do novo século
Friend n Fellow pertencem com certeza
ao grupo das melhores bandas que misturam Jazz, Blues e Soul.«
jazzportugal
01/2004
»Des émules, version allemande, de Tuck & Patti
et de Bet. e & Stef. Une pop jazz acoustique, un duo guitare-voix
enregistré en spectacle et fétant à terme une collboration
d´une dizaine d´anneés.
Beaucoup de standards communs au jazz et à la pop, dont une très
belle version de Fly Like an Eagle et de I Still Haven´t
Found What I´m Looking For. L´atmosphère est chaleureuse,
voire parfois magique.«
Journal de Montreal
Journal de Quebec
01/2004
»... After listening to this album, you want to immediately
return to the first song and start all over again...«
Gregor Hilden
Akustik Gitarre
02/2002
»...The acoustic soul of this duo cannot possibly sound more intimate than it does on this, their fourth CD 'Taxi'... The enchanting, atmospheric denseness of their compositions is absolutely convincing... Subtle, elegant, melancholic, virtuoso, dynamic - one can find many fitting attributes to describe the new album...«
jazzthing
2-3/2002
»Constanze Friend's voice is a near miracle of timbre
and range. In this country there is no other woman who sounds more black in the low
range, and her voice is gentle and full of nuances in the upper range...
His guitar-playing is funky, jazzy, it grooves or soothes, and his percussion
effects on the guitar are a feast for the ears...«
Klaus-Dieter Zeh
Jazzpodium
2/2002
»...Friend ´n Fellow sound less and less artificial
and more and more bluesy, earthy and even more spiritual. In the low range, Constanze can seem almost
like a Voodoo-Priestess. Friend ´n Fellow have found their own story-telling
style with voice and guitar.«
Detlef Kinsler
HIFI TEST
01/2002
»On Taxi' (Ruf Records) they give an intimate tête-á-tête, during which soul, folk, blues and jazz melt together in a most sensual way... ...the most exciting duo since Tuck & Patti...«
freundin
01/2002
»...Whoever claimed until now that Friend ´n Fellow mostly lived from sweeping
away its audience at live performances was right. Now, however, 'Taxi' is
finally the perfect album to meet international standards...«
Udo Pipper
stereo
01/2002
»German singer Constanze Friend and guitarist Thomas Fellow wowing the crowd with a virtuoso performance«
Star Malaysia
»The smoky voice of Constanze (alias Friend), the virtuoso guitar-playing of
Thomas (Fellow), and a lot of feeling makes U2's 'I Still Haven't Found
',
Hendrix' 'Purple Haze' and their own pieces into intimate pearls of soul
and blues with goose-bump effects.«
Jürgen Seibold
Audio
01/2002
CD "Taxi" as Steroplay-Tip/The Audiophile
»The comparison is hard to overlook: Tuck
& Patti or Friend ´n Fellow — which of these two duos, both of which present the constellation 'sensitive
white guitarist and smooth, black soul voice', deserves the gold medal
as the world's best audiophile formation of two? The fact that Friend ´n
Fellow are now even eligible for the gold medal is also due to the fantastic sound
projection by Karsten Fuchs and Thomas Adapoe: Voice and guitar are
fascinatingly present in space.«
Matthias Inhoffen
Stereoplay
01/2002
»An indiscrete question, a string acrobat, a singer and the art of improvisation.«
»Live, they are known as a first-class
attraction, especially because they then play almost completely without bounds«
Adrian Wolfen
Jazzthetik
12/2001 & 01/2002<
»A special sort of magic moves through the hall when Friend ´n Fellow reach for the microphone and the guitar« -mhr-
Badisches Tageblatt
20.11.2001
»Fantastic: Fellow's magical finger-acrobatics. His string repertoire ranges from buzzing to pseudo scratching. Sometimes it seems as though the artist has conjured up the optically absent drums in the cavity of his guitar Finally, Friend ´n Fellow releases pure party feeling A premium class concert.«
Leipziger Volkszeitung
3./4.11.2001
»...Mick Jagger would have given a considerable amount to have Stones as his surname, so that the whole world - and Keith Richard in particular — would have known who was the head of the band. With Constanze Friend and Thomas Fellow there is no mistaking: with Friend and Fellow, everyone is the boss. To keep it that way, they have consciously decided not to have any other members. They don't need anyone else; the pair delivers their acoustic soul with such unexpected fullness that any additional musician would feel superfluous. In fact, each of them would be fine all by themselves. When Constanze Friend sings, enemy armies fall lovingly into each other's arms and dogs kiss cats. Soft and round and soothing with plenty of spare room in the octaves and even more in style. The way Thomas Fellow plays his guitars is just as perfect, if not quite as physical. How easily he lays melodic phrases, rhythms and fine little solos around Constanze's voice using only his ten fingers. To do that, many guitarists would need a third hand. In order to avoid genetic manipulation, Thomas teaches how to play guitar with the usual "standard equipment" at the Dresden Conservatory of Music. Many try it without success. Friend `n Fellow are a high-percentage concentration of talent and feeling with a great love for everything that R&B has to offer. Amazing how much music a duo can ignite on stage live and how many different expressions a voice and a guitar can have in their repertoire. You can only believe it if you've experienced it. O.K., let's go«
MUSIX
11/2001
»This kind of virtuosity could well be unique in Germany«
Michael Keller
Thüringer Allgemeine
24.10.2001